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Greater Iran – Items

Manuscript, Khurasan, 11th-12th century, New Style III ; New Style I

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Cite

APA

Alya Karame, . (n.d.). Manuscript, Khurasan, 11th-12th century, New Style III ; New Style I (1–), CallFront, accessed July 26, 2026, https://callfront.inha.fr/s/callfront/item/3797

Chicago

Alya Karame. n.d. “Manuscript, Khurasan, 11th-12th century, New Style III ; New Style I.”, CallFront, accessed July 26, 2026, https://callfront.inha.fr/s/callfront/item/3797

MLA

Alya Karame. Manuscript, Khurasan, 11th-12th Century, New Style III ; New Style I, CallFront, accessed July 26, 2026, https://callfront.inha.fr/s/callfront/item/3797

Item descriptor

Copyrights Holder
CallFront
License
CC BY-SA 4.0
Entry ID
Iran_AK_03
Author
Alya Karame
Contributor(s)
Nuria Garcia Masip
Date
584 H.
1188 – 1189
Localization Exactitude Degree
Approximate
Place of Production
Khurasan, Herat province, Herat (probably)
Present Location
National Museum of Iran, Tehran, Iran Bastan 3496
Language
Arabic
Title of the Document (If Relevant)
Qur'an
Type of text
Quran
Script
Round Style - Muḥaqqaq
Color of the Script
black
Signature
Muḥammad b. ʿIssa b. Muhammad ʿAlī al-Nīshāpūrī Līthī 
Signature Role
calligrapher
Type of Object
manuscript\codex
Size (of the object)
41 x 33 cm
Ruling (Manuscript)
6
Bibliography
Flood, Finbarr Barry. “Islamic Identities and Islamic Art: Inscribing the Qurʾan in Twelfth-Century Afghanistan.” In Dialogues in Art History, from Mesopotamian to Modern: Readings for a New Century, edited by Elizabeth Cropper. Studies in the History of Art 74. National Gallery of Art, Washington Distributed by Yale University Press, 2009., p. 96–99.
Flood, Finbarr Barry. “Islamic Identities and Islamic Art: Inscribing the Qurʾan in Twelfth-Century Afghanistan.” In Dialogues in Art History, from Mesopotamian to Modern: Readings for a New Century, edited by Elizabeth Cropper. Studies in the History of Art 74. National Gallery of Art, Washington Distributed by Yale University Press, 2009. 96–99.

Script descriptor

See the lexicon

General Script Characteristics

Character Spacing
regular spaces between characters
Presence of Elongation
rare
Shading / Contrast
medium contrast

Letter Morphology

Point
inclined square
Ascenders
Alif Ascenders
alif - non serifed
Lām Ascenders
lām - vertical
lām - non serifed
Kāf Ascenders
Initial /medial compact form diagonal body
top arm detached thin stroke
ṭā' ẓā' ascenders
rounded body
vertical shaft no serif
Descenders
wāw descenders
wāw - short curvilinear hairline tail
rā' zā' descenders
rā'/zā' - short curvilinear tail
mīm descenders
mīm - vertical downstroke
nūn sīn shīn sādḍād yā’ lām and qāf descenders
nūn, sīn/shīn, sād/ḍād, yā', lām, qāf - curvilinear flattened bowl
jīm ḥāʾ khā' and ‘ain ghayn descenders
opening horizontal
yā’ al-rāji’ah descenders
backward horizontal stroke

horizontals

bāʾ tāʾ thāʾ fāʾ kāf horizontals
bāʾ, tāʾ, thāʾ, fāʾ, kāf - curvilinear flattened bowl
bāʾ, tāʾ, thāʾ, fāʾ, kāf - short curvilinear flattened bowl

denticles

sīn shīn denticles
short pointed denticles
initial and medial bāʾ tāʾthāʾ nūn yāʾ denticles
medial short pointed denticles

counters

hā' counters
isolated one-eyed round (mu'arrāh)
initial / medial double eyed (wajh al-hirr)
fā' qāf wāw counters
curvilinear head horizontally accentuated
medial 'ain ghayn counters
wide inverted triangle
mīm counters
rounded head

vocalization and diacritics

ḍamma vocalization and diacritics
comma
hamza vocalization and diacritics
small inverse Z
sukūn vocalization and diacritics
circle
shadda vocalization and diacritics
short denticles
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