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Greater Iran – Items

Manuscript, Khurasan, 11th-12th century, New Style III

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Cite

APA

Alya Karame, . (n.d.). Manuscript, Khurasan, 11th-12th century, New Style III (1–), CallFront, accessed July 26, 2026, https://callfront.inha.fr/s/callfront/item/3799

Chicago

Alya Karame. n.d. “Manuscript, Khurasan, 11th-12th century, New Style III.”, CallFront, accessed July 26, 2026, https://callfront.inha.fr/s/callfront/item/3799

MLA

Alya Karame. Manuscript, Khurasan, 11th-12th Century, New Style III, CallFront, accessed July 26, 2026, https://callfront.inha.fr/s/callfront/item/3799

Item descriptor

Copyrights Holder
CallFront
License
CC BY-SA 4.0
Entry ID
Iran_AK_05
Author
Alya Karame
Contributor(s)
Nuria Garcia Masip
Date
573 H.
1177 – 1178
Localization Exactitude Degree
Approximate
Place of Production
Khurasan
Present Location
Topkapı Saray Library, TKS EH 42
Language
Arabic
Title of the Document (If Relevant)
Qur'an
Type of text
Quran
Script
New Style III
New Style I
Round Style - Muḥaqqaq
Color of the Script
black
Signature
Abu Bakr Aḥmad ibn ʿAbdallah al-Ghaznawi
Signature Role
calligrapher
Type of Object
manuscript\codex
Size (of the object)
18 x 15 cm
Ruling (Manuscript)
17
Bibliography
Derman, Uğur. L’art de La Calligraphie Dans Le Patrimoine Islamique (Fann al-Khaṭṭ). IRCICA. Istanbul, 1998, plate 17
Lings, Martin. Splendours of Qur’an Calligraphy & Illumination. Thesaurus Islamicus Foundation. 2005
Tabbaa, Yasser. “The Transformation of Arabic Writing: Part I, Qur’ānic Calligraphy.” Ars Orientalis 21 (1991), p. 125.
Derman, Uğur. L’art de La Calligraphie Dans Le Patrimoine Islamique (Fann al-Khaṭṭ). IRCICA. Istanbul, 1998. plate 17;
Lings, Martin. Splendours of Qur’an Calligraphy & Illumination. Thesaurus Islamicus Foundation. 2005. 59;
Tabbaa, Yasser. “The Transformation of Arabic Writing: Part I, Qur’ānic Calligraphy.” Ars Orientalis 21 (1991): 125.

Script descriptor

See the lexicon

General Script Characteristics

Character Spacing
regular spaces between characters
Presence of Elongation
rare
Ligature
Conventional - horizontal
Shading / Contrast
strong contrast

Letter Morphology

Point
inclined square
Ascenders
Alif Ascenders
alif - top left triangular serif
Lām Ascenders
lām - vertical
lām - top left triangular serif
lām - non serifed
Kāf Ascenders
two elongated parallel strokes topped by a short diagonal stroke
tall vertical shaft curved with small eye at baseline
curvilinear shaft holding small kāf
ṭā' ẓā' ascenders
ṭā' / ẓā' - two elongated parallel strokes
top arm long thin diagonal stroke
Descenders
wāw descenders
wāw - short curvilinear hairline tail
rā' zā' descenders
rā'/zā' - short curvilinear hairline tail
nūn sīn shīn sādḍād yā’ lām and qāf descenders
diagonal stroke ending in sharp horizontal wedge
jīm ḥāʾ khā' and ‘ain ghayn descenders
backward tail
yā’ al-rāji’ah descenders
elongated backward stroke contouring previous letter shapes

horizontals

bāʾ tāʾ thāʾ fāʾ kāf horizontals
short straight bowl on baseline with final triangle

denticles

sīn shīn denticles
diagonal denticles inclined to left
sīn shape above horizontal stroke
initial and medial bāʾ tāʾthāʾ nūn yāʾ denticles
initial inclined to left
medial triangular denticles

counters

hā' counters
isolated rhomboid
medial two-eyed trapezoid diagonal to the baseline
final trapezoid diagonal to baseline
fā' qāf wāw counters
trapezoid diagonal to the baseline
medial 'ain ghayn counters
rhomboid over the baseline
mīm counters
trapezoid diagonal to the baseline

vocalization and diacritics

ḍamma vocalization and diacritics
oblique tail (10°-35°)
open eye
hamza vocalization and diacritics
small inverse Z
sukūn vocalization and diacritics
circle
shadda vocalization and diacritics
short denticles
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