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Eastern Africa & Indian Ocean – Items

Codex, Harar, 1731, Naskhī

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Cite

APA

Sana Mirza, . (n.d.). Codex, Harar, 1731, Naskhī (1–), CallFront, accessed July 26, 2026, https://callfront.inha.fr/s/callfront/item/3829

Chicago

Sana Mirza. n.d. “Codex, Harar, 1731, Naskhī.”, CallFront, accessed July 26, 2026, https://callfront.inha.fr/s/callfront/item/3829

MLA

Sana Mirza. Codex, Harar, 1731, Naskhī, CallFront, accessed July 26, 2026, https://callfront.inha.fr/s/callfront/item/3829

Item descriptor

Copyrights Holder
CallFront
License
CC BY-SA-4.0
Entry ID
Ethiopia_SM_02
Author
Sana Mirza
Contributor(s)
Nuria Garcia Masip
Date
10 Shaʿbān 1143
February 17, 1731
Localization Exactitude Degree
Exact
Place of Production
Ethiopia, Harari region, Harar
Remarks (Place of Production)
Place of production is based on stylistic analysis and oral histories.
Present Location
Addis Ababa, Ethiopia
Language
Arabic
Title of the Document (If Relevant)
Qur'an
Type of text
Quran
Script
Naskhī regional variant
Color of the Script
black
red
Remarks (General Identification)
This entry is for only the Qur'anic text and not the paratextual materials in the manuscript.
Type of Object
manuscript\codex
Writing Surface
paper\type of paper\European paper
Size (of the object)
31.5 x 21.5 cm
Ruling (Manuscript)
17 lines per page
Technique
written
Ink
carbon-based ink (midād)
red ink
Bibliography
Mirza, Sana. “A Red Sea Style ? The Early Eighteenth Century Qur’an Manuscripts of Harar.” Annales d’Ethiopie 34 (2022): 73–98.
Mirza, Sana. “The Visual Resonances of a Harari Qur’ān: An 18th Century Ethiopian Manuscript and Its Indian Ocean Connections.” Afriques, no. 8 (2017). https://journals.openedition.org/afriques/2052
Mirza, Sana. “An Ethiopian Indian Ocean Tradition: The Qur’an Manuscripts of Harar.” Muslim Cultures in the Indian Ocean: Diversity and Pluralism, Past & Present (Edinburgh), 2023.

Script descriptor

See the lexicon

General Script Characteristics

Internal Structure
linear
Character Spacing
irregular spaces between characters
Ligature
Conventional - curvilinear
Shading / Contrast
medium contrast

Letter Morphology

Point
round dot
Ascenders
Alif Ascenders
alif - non serifed
Lām Ascenders
lām - vertical
lām - non serifed
Kāf Ascenders
Initial /medial compact form diagonal body
no top arm and superscript kāf
ṭā' ẓā' ascenders
rounded body
vertical shaft no serif
Descenders
wāw descenders
wāw - angular horizontal tail
rā' zā' descenders
rā'/zā' - angular horizontal tail
rā'/zā' - s-shaped
mīm descenders
mīm - long curvilinear tail
mīm - vertical downstroke
nūn sīn shīn sādḍād yā’ lām and qāf descenders
deep semicircular bowl
final lām straight horizontal bowl below baseline
deep bowl
jīm ḥāʾ khā' and ‘ain ghayn descenders
backward tail
opening horizontal
yā’ al-rāji’ah descenders
backward horizontal stroke below baseline

horizontals

bāʾ tāʾ thāʾ fāʾ kāf horizontals
short bowl

denticles

sīn shīn denticles
rounded base denticles
initial and medial bāʾ tāʾthāʾ nūn yāʾ denticles
initial slightly inclined to left
medial short rounded denticles

counters

hā' counters
initial / medial double eyed (wajh al-hirr)
initial / medial double-eyed top and bottom (mulawwazah)
final one-eyed (mardufah) rounded
fā' qāf wāw counters
rounded head
medial 'ain ghayn counters
wide inverted triangle
mīm counters
rounded head pointed chin

vocalization and diacritics

fatḥa kasra vocalization and diacritics colour
black
ḍamma vocalization and diacritics
oblique tail (10°-35°)
open eye
hamza vocalization and diacritics
small ‘ain
sukūn vocalization and diacritics
small circle
shadda vocalization and diacritics
tall denticles
ihmāl vocalization and diacritics
superscript miniature kāf for medial or inital form
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