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South Asia – Items

Tombstone, Khambhat, 1311, Ta’līq and other

  • India_EL_05a
  • csv

Cite

APA

Elizabeth Lambourn, . (n.d.). Tombstone, Khambhat, 1311, Ta’līq and other (1–), CallFront, accessed July 26, 2026, https://callfront.inha.fr/s/callfront/item/3902

Chicago

Elizabeth Lambourn. n.d. “Tombstone, Khambhat, 1311, Ta’līq and other.”, CallFront, accessed July 26, 2026, https://callfront.inha.fr/s/callfront/item/3902

MLA

Elizabeth Lambourn. Tombstone, Khambhat, 1311, Ta’līq and Other, CallFront, accessed July 26, 2026, https://callfront.inha.fr/s/callfront/item/3902

Item descriptor

Copyrights Holder
CallFront
License
CC BY-SA 4.0
Entry ID
India_EL_05
Author
Elizabeth Lambourn
Contributor(s)
Nuria Garcia Masip
Date
20 Muharram 711 H.
June 8, 1311
Localization Exactitude Degree
Exact
Place of Production
India, Gujarat State, Khambhat
Remarks (Place of Production)
Tombstone of marble, carved in Khambhat, Gujarat, circa 1300-10 and shipped to Dhofar, now in Oman, where central panel (ssurah al-Fatiha (I, 2-7) was carved circa 1311.
Present Location
Victoria and Albert Museum London, accession no. A13 1933
Website Link
https://collections.vam.ac.uk/item/O448923/tombstone-unknown/
Language
Arabic
Type of text
Quran
Nature of the Text
Reference for Quranic verses
Bismillah
Shahada
Text Content
Recto: surah al-Mulk (II, 255 to 257 to من الظلمات الى نوره); surah Āl 'Imrān (III, 18-19 to ان الدين عند الله الاسلام ; surah Āl 'Imrān (III, 26-27 and 185); surah al-Tawbah (IX, 21-22), surah al-Mu'minūn (XXIII, 29); surah al-Zumar (XXXIX, 74, incomplete).

Verso: surah al-Mulk (II, 285 to 286); surah Fuṣṣilat (LXI, 21-24, to وجعلناها رجوماً للشياطين ; surah al-Fatiha (I, 2-7)
Script
Ta’līq
Other
Remarks (General Identification)
In its altered form it was used with another, similar tombstone (V&A: A.12-1933) to mark the grave of the Rasulid governor of Dhofar, al-Malik al-Wathiq Nur al-Din Ibrahim. Four lines of epitaph in central panel carved in Dhofar after the death of al-Wathiq.

Four lines of central panel carrying al-Fatiha (I, 2-7) carved in Dhofar.
Type of Object
cenotaph/tombstone
Writing Surface
stone\type of stone\marble
Size (of the object)
127 x 48 x 9.5 cm
Layout (Epigraphy & Objects)
9 lines of different heights with inscribed borders
Technique
carved / bas-relief - flat relief
Instrument
chisel
Bibliography
Guest, R. “Zufar in the Middle Ages.” In Islamic Culture. 1935. 403-4, illustrated as pls (B-1) and (B-2).
Smith, R., and V. Porter. “The Rasulids in Dhofar in the VIIth-VIIIth/XIIIth-XIVth Centuries.” Royal Asiatic Society of Great Britain and Ireland CXX, no. 1. 1988: 26–44. Especially Venetia Porter, 'Part II. Three Rasulid Tombstones from Ẓafār', pp. 32-44, illustrated as pls 1B and 2A.
Porter, V. “The Art of the Rasulids.” In 3,000 Years of Art and Civlization in Arabia Felix. Innsbruck/Frankfurt, 1987. 249-50, no. 53.
Lambourn, E. “Carving and Recarving: Three Rasulid Gravestones Revisited.” In New Arabian Studies, G. Rex Smith, J.R. Smart and B.R. Pridham, vol. 6. 2003. 10-29, pl.1 and 2..
Lambourn, E. “Carving and Communities: Marble Carving for Muslim Communities at Khambhat and Around the Indian Ocean Rim (Late 13th–Mid-15th Centuries CE).” Ars Orientalis 34 (2004): 99–133.
Guy, John. “Asian Trade and Exchange Before 1600.” In Encounters. The Meeting of Asia and Europe, 1500-1800, Anna Jackson and Amin Jaffer. V&A, 2004. 56-7, illustrated as fig. 6.7.
Puisto, Johanna. “Preparation of Three 14th Century Gravestones for a Display at the National Museum of Oman.” V&A Blog, April 24, 2017.

Script descriptor

See the lexicon

General Script Characteristics

Shape
rectangular
ogival
Internal Structure
large presence of positive space
stacked
partially interwoven
Groups of Characters Baseline
oblique
full stacking of characters
Character Spacing
regular spaces between characters
superscription at end of line
Presence of Elongation
rare
Elongated Letters
bā’/fā’ bowl
lām bowl
nūn, sīn/shīn, sād/ḍād, yā’, lām and qāf bowl
Length of Elongation
varied length of elongations
Shading / Contrast
medium contrast

Letter Morphology

Point
inclined square
round dot
Ascenders
Alif Ascenders
alif - shaft tapers from thick to thin
Lām Ascenders
lām - vertical
lām - shaft tapers from thick to thin
Kāf Ascenders
Initial /medial compact form diagonal body
top flat arm
initial elongated (mabsūṭah)
ṭā' ẓā' ascenders
rounded body
vertical shaft no serif
Descenders
wāw descenders
wāw - rounded tail
rā' zā' descenders
rā'/zā' - s-shaped
mīm descenders
mīm - s-shape
mīm - vertical downstroke
nūn sīn shīn sādḍād yā’ lām and qāf descenders
wide deep bowl
nūn, sīn/shīn, sād/ḍād, yā', lām, qāf - plunging bowl
elongated curvilinear deep bowl
jīm ḥāʾ khā' and ‘ain ghayn descenders
looped tail
yā’ al-rāji’ah descenders
backward oblique stroke

horizontals

bāʾ tāʾ thāʾ fāʾ kāf horizontals
bāʾ, tāʾ, thāʾ, fāʾ, kāf - deep plunging bowl
short bowl

denticles

sīn shīn denticles
rounded base denticles
initial and medial bāʾ tāʾthāʾ nūn yāʾ denticles
initial/medial slightly inclined to left

counters

hā' counters
initial / medial double eyed (wajh al-hirr)
medial v-shape with bottom closed loop towards the right
final one-eyed (mardufah) diamond shaped
isolated one-eyed triangular (murabba'ah)
fā' qāf wāw counters
rounded head needle point eye
medial 'ain ghayn counters
compact inverted triangle
mīm counters
circular head

vocalization and diacritics

shadda vocalization and diacritics
tall denticles

Other

additional characteristics
Spider-like quality from stacked thin tails and bowl endings
Image ID Entry
India_EL_05a
Description
Tombstone, Khambhat, 1311, Ta’līq and other
Photographer
Victoria & Albert Museum
Copyrights Holder
Victoria & Albert Museum
License
All rights reserved
Access Rights
Public
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