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South Asia – Items

Manuscrpt, Delhi - Agra region, 1525 - 1540, --

  • India_VG_03a
  • India_VG_03b
  • India_VG_03c
  • India_VG_03d
  • csv

Cite

APA

Vivek Gupta, . (n.d.). Manuscrpt, Delhi - Agra region, 1525 - 1540, -- (1–), CallFront, accessed July 26, 2026, https://callfront.inha.fr/s/callfront/item/3919

Chicago

Vivek Gupta. n.d. “Manuscrpt, Delhi - Agra region, 1525 - 1540, --.”, CallFront, accessed July 26, 2026, https://callfront.inha.fr/s/callfront/item/3919

MLA

Vivek Gupta. Manuscrpt, Delhi - Agra Region, 1525 - 1540, --, CallFront, accessed July 26, 2026, https://callfront.inha.fr/s/callfront/item/3919

Item descriptor

Copyrights Holder
CallFront
License
CC BY-SA 4.0
Entry ID
India_VG_03
Author
Vivek Gupta
Date
1525 – 1540
Localization Exactitude Degree
Exact
Place of Production
India, Uttar Pradesh State, Agra region, Delhi
Present Location
Government Museum and Art Gallery, Chandigarh
Language
Hindavi
Persian
Title of the Document (If Relevant)
Chandayan
Type of text
Poetry
Nature of the Text
Other
Text Content
Sufi narrative poetry. Verse 149, "All Sorts of Breads," and corresponding painting is Lahore K-8. Richard Cohen, trans. The Chandayan, Mumbai: Marg Publications, 2024, p. 182 (K-7-30-A verso) ; verse 193, "Wall Paintings in Chanda's Bedroom," the recto of the folio depicts verse 192. Richard Cohen, trans. The Chandayan, Mumbai: Marg Publications, 2024, p. 226 (K-7-30-E verso) ; verse 252 on "Maina's Retort." Richard Cohen, trans. The Chandayan, Mumbai: Marg Publications, 2024, p. 270 (K-7-30-J verso) ; Verse 348. Richard Cohen, trans. The Chandayan, Mumbai: Marg Publications, 2024, p. 348 (K-7-30-G verso).
Script
Other
Color of the Script
black
red
Type of Object
manuscript\codex
Technique
written
Bibliography
Adamjee, Qamar. “Strategies for Visual Narration in the Illustrated Chandayan Manuscripts.” PhD diss. Institute of Fine Arts, New York University, 2011. 111-120.

Script descriptor

See the lexicon

General Script Characteristics

Groups of Characters Baseline
horizontal
Presence of Elongation
frequent
Elongated Letters
kāf bowl
bā’/fā’ bowl
nūn, sīn/shīn, sād/ḍād, yā’, lām and qāf bowl
Ligature
Conventional - curvilinear
Shading / Contrast
strong contrast

Letter Morphology

Point
inclined square
Ascenders
Lām Ascenders
lām - inclined to left
Kāf Ascenders
vertical shaft with top arm (sarkaj)
medial, initial vertical shaft
initial medial and final elongated (mabsūṭah)
Descenders
jīm ḥāʾ khā' and ‘ain ghayn descenders
semicircular backward tail
opening horizontal
yā’ al-rāji’ah descenders
short backward horizontal stroke

denticles

initial and medial bāʾ tāʾthāʾ nūn yāʾ denticles
initial slightly inclined to left

counters

hā' counters
initial / medial double eyed (wajh al-hirr)
isolated one-eyed triangular (murabba'ah)
fā' qāf wāw counters
triangular head
mīm counters
compact head diagonal stroke

Other

additional characteristics
strong presence of yā’ raji’a
Image ID Entry
India_VG_03a
Description
Manuscrpt, Delhi - Agra region, 1525 - 1540
Photographer
Government Museum and Art Gallery, Chandigarh
Copyrights Holder
Government Museum and Art Gallery, Chandigarh
License
All rights reserved
Access Rights
Public
Image ID Entry
India_VG_03b
Description
Manuscrpt, Delhi - Agra region, 1525 - 1540
Photographer
Government Museum and Art Gallery, Chandigarh
Copyrights Holder
Government Museum and Art Gallery, Chandigarh
License
All rights reserved
Access Rights
Public
Image ID Entry
India_VG_03c
Description
Manuscrpt, Delhi - Agra region, 1525 - 1540
Photographer
Government Museum and Art Gallery, Chandigarh
Copyrights Holder
Government Museum and Art Gallery, Chandigarh
License
All rights reserved
Access Rights
Public
Image ID Entry
India_VG_03d
Description
Manuscrpt, Delhi - Agra region, 1525 - 1540
Photographer
Government Museum and Art Gallery, Chandigarh
Copyrights Holder
Government Museum and Art Gallery, Chandigarh
License
All rights reserved
Access Rights
Public
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