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Anatolia, Balkans & Crimea – Items

Mihrab, Qirim, 1314-1315, Thuluth

  • Crimea_NKF_08a
  • Crimea_NKF_08c
  • Crimea_NKF_08d
  • Crimea_NKF_08e
  • Crimea_NKF_08f
  • Crimea_NKF_08g
  • Crimea_NKF_08h
  • csv

Cite

APA

Nicole Kançal-Ferrari, . (n.d.). Mihrab, Qirim, 1314-1315, Thuluth (1–), CallFront, accessed July 26, 2026, https://callfront.inha.fr/s/callfront/item/4187

Chicago

Nicole Kançal-Ferrari. n.d. “Mihrab, Qirim, 1314-1315, Thuluth.”, CallFront, accessed July 26, 2026, https://callfront.inha.fr/s/callfront/item/4187

MLA

Nicole Kançal-Ferrari. Mihrab, Qirim, 1314-1315, Thuluth, CallFront, accessed July 26, 2026, https://callfront.inha.fr/s/callfront/item/4187

Item descriptor

Copyrights Holder
CallFront
License
CC BY-SA 4.0
Entry ID
Crimea_NKF_08
Author
Nicole Kançal-Ferrari
Contributor(s)
Vincent Thérouin
Nuria Garcia Masip
Date
714 H.
1314 – 1315
Localization Exactitude Degree
Exact
Place of Production
Crimea, Qirim (Solkhat), Özbeg Khan Mosque
Present Location
Özbeg Khan Mosque, Qirim (also known as Solkhat) (Crimea)
Language
Arabic
Type of text
Quran
Text Content
Kalimat al-tawhid and Quranic verses: the Throne Verse (2:255) on the mihrab’s outer
frame, with a spiral foliate scroll behind the letters; verses from the al-Imran (3:18 and part of 3:19) in the upper part of the niche; and a part of al-Mu'min (40:16).
Script
Thuluth
Remarks (General Identification)
overpaint several times
Type of Object
architectural element\mihrab
Shape (Epigraphy)
band
Size (of the object)
outher frame inscription: 190 x 380 cm, inscription size ca. 30 cm; lower front inscription: 30 x 113 cm; inner niche band: 70 cm + 2 x 25 cm, total of ca. 120 cm. inscription band
Layout (Epigraphy & Objects)
interlaced, superposed
Technique
carved / bas-relief - flat relief
Instrument
chisel
Bibliography
Aqçoqraqlı, Osman. “Старо-Крымские и Отузские Надписи XIII–XV Вв (Staro-Krymskie i Otuzskie Nadpisi XIII–XV Vv).” Izvestiia Tavricheskogo Obshchestva Istorii, Arkheologii i Etnografii 1, no. 58 (1927): 5–17 ;
Kançal-Ferrari, Nicole, and Şen, Fatma M.. “Inscriptions from the Golden Horde Period and the Crimean Khanate in Crimea: A Body of Hitherto Neglected Material within the Study of the Inscriptions of Islamic Lands.” In Inscriptions of the Medieval Islamic World, edited by A. C. S. Peacock, Bernard O’Kane, and Mark Muehlhaeusler. Edinburgh Studies in Islamic Art. Edinburgh University Press, 2023. 335 ;
Kirilko, V. P. “Periodisation of Construction of the So Called Uzbek Mosque from Stary Krym.” In The Genoese Gazaria and the Golden Horde, Sergei Bocharov and Ayrat Sitdikov,. Stratum Plus, 2015. 509-558.

Script descriptor

See the lexicon

General Script Characteristics

Shape
rectangular
Internal Structure
piled
linear
large presence of negative space
partially interwoven
Groups of Characters Baseline
oblique
Presence of Elongation
rare
Ligature
Conventional - curvilinear
Shading / Contrast
medium contrast

Letter Morphology

Point
round dot
Ascenders
Alif Ascenders
alif - top right serif
alif - elongated vertical shaft
alif - shaft tapers from thick to thin
Lām Ascenders
lām - vertical
lām - top right serif
lām - elongated vertical shaft
lām - shaft tapers from thick to thin
Kāf Ascenders
no top arm and superscript kāf
ṭā' ẓā' ascenders
rounded body
vertical shaft with serif
Descenders
wāw descenders
wide rounded tail
rā' zā' descenders
rā'/zā' - thick angular oblique tapered tail
mīm descenders
mīm - long flattened, tapered tail
nūn sīn shīn sādḍād yā’ lām and qāf descenders
wide deep bowl
jīm ḥāʾ khā' and ‘ain ghayn descenders
backward tail
opening downwards

denticles

sīn shīn denticles
short pointed denticles
elongated no denticles
initial and medial bāʾ tāʾthāʾ nūn yāʾ denticles
initial top right serif

counters

hā' counters
initial / medial double-eyed top and bottom (mulawwazah)
initial / medial double eyed (wajh al-hirr)
final one-eyed (mardufah) inclined to left
medial 'ain ghayn counters
wide inverted triangle
mīm counters
circular head

vocalization and diacritics

ḍamma vocalization and diacritics
comma
sukūn vocalization and diacritics
circle
shadda vocalization and diacritics
short denticles
Image ID Entry
Crimea_NKF_08a
Description
Mihrab, Qirim, 1314-1315, Thuluth
Photographer
Nicole Kançal-Ferrari
Copyrights Holder
Nicole Kançal-Ferrari
License
CC BY-SA 4.0
Access Rights
Public
Image ID Entry
Crimea_NKF_08c
Description
Mihrab, Qirim, 1314-1315, Thuluth
Photographer
Nicole Kançal-Ferrari
Copyrights Holder
Nicole Kançal-Ferrari
License
CC BY-SA 4.0
Access Rights
Public
Image ID Entry
Crimea_NKF_08d
Description
Mihrab, Qirim, 1314-1315, Thuluth
Photographer
Nicole Kançal-Ferrari
Copyrights Holder
Nicole Kançal-Ferrari
License
CC BY-SA 4.0
Access Rights
Public
Image ID Entry
Crimea_NKF_08e
Description
Mihrab, Qirim, 1314-1315, Thuluth
Photographer
Nicole Kançal-Ferrari
Copyrights Holder
Nicole Kançal-Ferrari
License
CC BY-SA 4.0
Access Rights
Public
Image ID Entry
Crimea_NKF_08f
Description
Mihrab, Qirim, 1314-1315, Thuluth
Photographer
Nicole Kançal-Ferrari
Copyrights Holder
Nicole Kançal-Ferrari
License
CC BY-SA 4.0
Access Rights
Public
Image ID Entry
Crimea_NKF_08g
Description
Mihrab, Qirim, 1314-1315, Thuluth
Photographer
Nicole Kançal-Ferrari
Copyrights Holder
Nicole Kançal-Ferrari
License
CC BY-SA 4.0
Access Rights
Public
Image ID Entry
Crimea_NKF_08h
Description
Mihrab, Qirim, 1314-1315, Thuluth
Photographer
Nicole Kançal-Ferrari
Copyrights Holder
Nicole Kançal-Ferrari
License
CC BY-SA 4.0
Access Rights
Public
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